I've been going through some of my notes from a film genre class I took in graduate school. One week, we watched *Shane* and *Yojimbo* as cross-cultural examples of the western, which historically commingled with the samurai film in Japan.
A few weeks ago, I went to see Alex Garland's film Men. I really enjoyed, especially in the context of my growing interest in both film genre studies and the specific genre of horror.
Last night I watched Nicholas Ashe Bateman's The Wanting Mare and Adam McKay's Don't Look Up. Each suggests a similar conclusion-in a senseless world, codependence is the only way to find meaning.
I've been reading scholarship about anime, its history, and how it deviates from animation in the United States. It's frequently observed that tensions between tradition and modernity are often central to anime.